Saturday, December 13, 2014

The Community of Artists in Style Wars

I just finished watching Style Wars, and one thing that really stuck out to me was tightness of the community of the graffiti artists, as well as break-dancers. The movie starts with a scene of a huge group of artists all signing each other's books. That immediately struck me as interesting, because I had assumed that everyone did their "bombs" alone, and did not know any other artists in real life, only through their work. So from the very start I was impressed by the strength of the community of artists, but as the movie progressed I kept on realizing that they were tighter even than they seemed 10 minutes before.
One example of the bond held by graffiti artists, and one that I was truly not expecting, was the great age, race, and class differences among the artists. I had imagined that it would all be people about 18 or so, and all people in minorities who did not have much money. I remember that one kid even addressed my very assumptions, saying that while most people expect the people doing graffiti to be black or Hispanic and quite poor, but he, an upper class white guy, was just as much a part of the community. I was very surprised to see such racial mixing among groups of the graffiti artists, because it seems that a lot of the activities people do in their free time are segregated. Maybe this shows that if people were as free as the graffiti artists they would integrate more than we do in our structured environments. The other scene that really showed the bonds that formed between artists took place between a 16 year old and a 14 year old. They were talking about what a good artists the younger one was, but saying how the older one would draw the outlines and then his smaller friend would fill them in. I found it funny that, although he said that his 14 year old buddy was an amazing artists, the 16 year old still didn't trust him to do the whole piece. Then, later, we saw them talking again and the 16 year old asserted that in a few years, his pal would be the best artists ever. "A new Picasso." It is amazing to me that they had such a tight bond, and, despite the age gap, felt so close, that the 16 year old was looking into his friends future, and imagining how his skill would progress. They also talked about how they were always their to help each other, and always had each others backs. I thought that that was a very neat dynamic, especially between people who describe themselves as feeling like a father and son (at least in the older one's eyes). The 16 year old desire to protect the 14 year old was very interesting to me, especially because that is a very small age gap for a father son relationship, even though it is surprisingly big for a friendship. It seemed to me that the artists all had a mutual respect for each other, and that respect allowed them to bond with like-minded people from many different backgrounds and of many different ages. Seeing the friendships and community that the graffiti artists shared made me really want to do graffiti, not because the art itself looks like fun (although it does), but because I want to be in a community that is that close, and has each others backs to the extent that the artists had with their friends.

3 comments:

  1. I was also astounded at the tightness o the community but also the scale. I never realized (having lived in Champaign all my life) how broadly this community and these bonds stretched. Also I always thought that the pieces were individual endeavors too so it was cool to see younger kids learning from the older artist, like in the scenes where "seen" is doing the commissioned piece on the wall and he has a bunch of younger kids helping him.

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  2. It is really cool to see the bonds between all the artists. The fact that no one really runs alone and they all help each other out give the group a sense of unity that you don't realize is actually there. The relationship between the 14 and 16 year old was really cool. The fact that the older one really wanted the best for his younger counterpart and supported him is something that you don't see very often, but it seems pretty natural in the context of these groups of artists.

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  3. It makes sense that such tight bonding would be relevant to the graffiti scene. Graffiti revolves around expressing yourself and your identity, and your influences/people you interact with are most definitely a part of who you are. Having a community to express yourself within, and then sharing that with the world, seems like it would be integral to this art form.

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